Yahoo Lifestyle is your source for style, beauty, and wellness, including health, inspiring stories, and the latest fashion trends. Connect your entire business with one call. MegaPath offers reliable business phone, internet, VoIP, network, and security solutions all in one place. Explore research at Microsoft, a site featuring the impact of research along with publications, products, downloads, and research careers. Thanks a lot man, your diagram summarizes a book thats awesome specially for the ones like me, who are struggling to understand design patterns. Rabbits and hares in art. Rabbits by Johann Georg Seitz. The hare and the rabbit are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The hare and the rabbit are often associated with moon deities and signify rebirth and resurrection. They are symbols of fertility and sensuality, and appears in depictions of hunting and spring scenes in the Labours of the Months. Judaismedit. The rabbit as a gift in courtship. In Judaism, the rabbit is considered an unclean animal, because though it chews the cud, does not have a divided hoof. This led to derogatory statements in the Christian art of the Middle Ages, and to an ambiguous interpretation of the rabbits symbolism. The shafan in Hebrew has symbolic meaning. Although rabbits were a non kosher animal in the Bible, positive symbolic connotations were sometimes noted, as for lions and eagles. German scholar Rabbi. Yosef Hayim Yerushalmi, saw the rabbits as a symbol of the Diaspora. In any case, a three hares motif was a prominent part of many Synagogues. AntiquityeditIn antiquity, the hare, because it was prized as a hunting quarry, was seen as the epitome of the hunted creature that could survive only by prolific breeding. Herodotus,4Aristotle, Pliny and Claudius Aelianus all described the rabbit as one of the most fertile of animals. It thus became a symbol of vitality, sexual desire and fertility. The hare served as an attribute of Aphrodite and as a gift between lovers. In late antiquity it was used as a symbol of good luck and in connection with ancient burial traditions. Christian arteditVenus, Mars and Cupid by Piero di Cosimo, a cupid lying on Venus clings to a white rabbit. In Early Christian art, hares appeared on reliefs, epitaphs, icons and oil lamps although their significance is not always clear. The Physiologus, an inexhaustible resource for medieval artists, states that when in danger the rabbit seeks safety by climbing high up rocky cliffs, but when running back down, because of its short front legs, it is quickly caught by its predators. Likewise, according to the teaching of St. Basil, men should seek his salvation in the rock of Christ, rather than descending to seek worldly things and falling into the hands of the devil. The negative view of the rabbit as an unclean animal, which derived from the Old Testament, always remained present for medieval artists and their patrons. Thus the rabbit can have a negative connotation of unbridled sexuality and lust or a positive meaning as a symbol of the steep path to salvation. Whether a representation of a hare in Medieval art represents man falling to his doom or striving for his eternal salvation is therefore open to interpretation, depending on context. The Hasenfenster hare windows in Paderborn Cathedral and in the Muotathal Monastery in Switzerland, in which three hares are depicted with only three ears between them, forming a triangle, can be seen as a symbol of the Trinity, and probably go back to an old symbol for the passage of time. The three hares shown in Albrecht Drers woodcut, The Holy Family with the Three Hares 1. Trinity. The idea of rabbits as a symbol of vitality, rebirth and resurrection derives from antiquity. This explains their role in connection with Easter, the resurrection of Christ. The unusual presentation in Christian iconography of a Madonna with the Infant Jesus playing with a white rabbit in Titians Parisian painting, can thus be interpreted christologically. Together with the basket of bread and wine, a symbol of the sacrificial death of Christ, the picture may be interpreted as the resurrection of Christ after death. Common Sense Book Art Williams Pdf To Jpg' title='Common Sense Book Art Williams Pdf To Jpg' />The phenomenon of superfetation, where embryos from different menstrual cycles are present in the uterus, results in hares and rabbits being able to give birth seemingly without having been impregnated, which caused them to be seen as symbols of virginity. Rabbits also live underground, an echo of the tomb of Christ. Titian, Mary and Infant Jesus with a rabbit, Paris, Louvre. As a symbol of fertility, white rabbits appear on a wing of the high altar in Freiburg Minster. They are playing at the feet of two pregnant women, Mary and Elizabeth. Martin Schongauers engraving Jesus after the Temptation 1. Jesus Christ, which can be seen as a sign of extreme vitality. In contrast, the tiny squashed rabbits at the base of the columns in Jan van Eycks Rolin Madonna symbolize Lust, as part of a set of references in the painting to all the Seven Deadly Sins. Hunting scenes in the sacred context can be understood as the pursuit of good through evil. In the Romanesque sculpture c. Knigslutter imperial Cathedral, a hare pursued by a hunter symbolises the human soul seeking to escape persecution by the devil. Another painting, Hares Catch the Hunters, shows the triumph of good over evil. Alternatively, when an eagle pursues the hare, the eagle can be seen as symbolizing Christ and the hare, uncleanliness and the evils terror in the face of the light. In Christian iconography, the hare is an attribute of Saint Martin of Tours and Saint Alberto di Siena, because legend has it that both protected hares from persecution by dogs and hunters. They are also an attribute of the patron saint of Spanish hunters, Olegarius of Barcelona. White hares and rabbits were sometimes the symbols of chastity and purity. In secular artedit. Hunting still life with lap dog and monkey by Jan Weenix, 1. In non religious art of the modern era, the rabbit appears in the same context as in antiquity as prey for the hunter, or representing spring or autumn, as well as an attribute of Venus and a symbol of physical love. In cycles of the Labours of the Months, rabbits frequently appear in the spring months. In Francesco del Cossas painting of April in the Palazzo Schifanoia in Ferrara, Italy, Venus children, surrounded by a flock of white rabbits, symbolize love and fertility. In Italian Renaissance and Baroque art, rabbits are depicted more often than hares. In an allegory on lust by Pisanello, a naked woman lies on a couch with a rabbit at her feet. Pinturicchios scene of Susanna in the Bath is displayed in the Vaticans Borgia Apartment. Here, each of the two old men are accompanied by a pair of hares or rabbits, clearly indicating wanton lust. Garry`S Mod Windows 7. In Piero di Cosimos painting of Venus and Mars, a cupid resting on Venus clings to a white rabbit for similar reasons. Still lifes in Dutch Golden Age painting and their Flemish equivalents often included a moralizing element which was understood by their original viewers without assistance fish and meat can allude to religious dietary precepts, fish indicating fasting while great piles of meat indicate voluptas carnis lusts of the flesh, especially if lovers are also depicted. Rabbits and birds, perhaps in the company of carrots and other phallic symbols, were easily understood by contemporary viewers in the same sense. As small animals with fur, hares and rabbits allowed the artist to showcase his ability in painting this difficult material. Dead hares appear in the works of the earliest painter of still life collections of foodstuffs in a kitchen setting, Frans Snyders, and remain a common feature, very often sprawling hung up by a rear leg, in the works of Jan Fyt, Adriaen van Utrecht and many other specialists in the genre. By the end of the 1.